Two twenty-year-old men with mountains of college debt use the fast cash of after-market sneaker reselling to achieve their American dream. But when their startup runs out of cash and a shady investor is their only way out, the dream quickly becomes a nightmare.

Zoey, a cyber crime cop, and Barry, a detective, raise their son, Timmy, in a quiet suburban neighborhood. When Zoey confides in her best friend about shift work and the lack of spark in her marriage. Zoey's mind is set in motion and when she discovers Barry is screwing around, she calls him out. Willing to give him a second chance, Zoey tries to mend her marriage. When Barry is seen again with "that" woman, Zoey gets a restraining order and sole custody of Timmy. Late one night a fire in her home tragically takes the life of her son. The evidence points to Zoey taking sleeping pills and smoking - she's charged with Timmy's murder. Zoey goes to Barry for help but he's distant and blames her. Zoey fights back, convinced she was set up to take the blame for Timmy's death. As she fights to prove her own innocence she gets the biggest shock of all.

A reporter loses his wife and daughter to a plane crash, but when the sole survivor appears, the reporter realizes that it wasn't a mere accident, but a mysterious conspiracy involving children.

A reporter loses his wife and daughter to a plane crash, but when the sole survivor appears, the reporter realizes that it wasn't a mere accident, but a mysterious conspiracy involving children.

A mysterious short film from writer Eric Vale and director Brad Osborne.

Against a backdrop of toxic masculinity and homophobia, two young men secretly express their feelings for each other through ballroom dance.

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

In a misguided attempt to protect his family and pay back gambling debts to the local Mobster, Jimbo robs a fish market, which is coincidentally owned by the same Mobster. On the run, Jimbo is cornered in a local curio shop, where he takes hostage an assortment of colourful characters, including a man who may be his illegitimate father. Surrounded by the Police, the SAS and the Mobster's crew, the young man must find a way out of his precarious predicament with the help of his oddball captives.

A Comic Ruse Tale

At the dinner table sits a white family: the father (a police officer), a mother and their two sons—a teenager and his younger brother. The teenager has an African-American friend, J.B., whom he wants to hang out with, but his father doesn’t want him leaving the house to meet up with J.B.—and especially not at night. “I want to keep you from bad situations,” the father explains to his son—an eerie foretelling, but more important, indicative of the violence that this white man associates with all black boys, even J.B., a black boy he knows personally and considers to be “a good kid.”